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	<title>Nate Faulkenberry &#187; Audio Engineering</title>
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	<description>my musical journey</description>
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		<title>A &#8216;must watch&#8217; for aspiring engineers</title>
		<link>http://blog.wellsoami.com/2010/03/a-must-watch-for-aspiring-engineers/</link>
		<comments>http://blog.wellsoami.com/2010/03/a-must-watch-for-aspiring-engineers/#comments</comments>
		<pubDate>Sun, 14 Mar 2010 17:32:10 +0000</pubDate>
		<dc:creator>Nate</dc:creator>
				<category><![CDATA[Audio Engineering]]></category>
		<category><![CDATA[research]]></category>

		<guid isPermaLink="false">http://blog.wellsoami.com/?p=33</guid>
		<description><![CDATA[To begin: While skimming through posts on Twitter the other day, I found one that really excited me from Dave Rat of Rat Sound. Dave&#8217;s work was brought to my attention when I did a two day trip to Hartford, CT and Columbia, Maryland to see Blink 182&#8217;s summer 2009 reunion tour. At both shows [...]]]></description>
			<content:encoded><![CDATA[<p>To begin: While skimming through posts on Twitter the other day, I found one that really excited me from <a title="Dave Rat" href="http://www.ratsound.com/cblog/" target="_blank">Dave Rat</a> of <a href="http://www.ratsound.com">Rat Sound</a>. Dave&#8217;s work was brought to my attention when I did a two day trip to Hartford, CT and Columbia, Maryland to see Blink 182&#8217;s summer 2009 reunion tour. At both shows I was in complete awe over the band&#8217;s sound. Travis Barker, being the technical drummer he is, had a kick drum that sounded more like a doomsday cannon and the clarity of the entire performance was evident even through the lower end of the audio spectrum. Fortunately, through my ability to follow people on Twitter, I tracked down the man responsible for exposing my ears to a live sound I have never witnessed before. To my luck, Dave documents his work well online. After discovering his blog following Blink&#8217;s summer tour, I spent almost an entire day reading through his technical details. While the majority of it is out of my league, Dave has become a great influence towards my aspirations.</p>
<p>And now to the next: While researching room acoustics, I was introduce to the company <a href="http://www.realtraps.com" target="_blank">RealTraps</a> based right here in New Milford, Connecticut. I first heard of RealTraps while reading through <a href="http://www.digido.com/vmchk/shopping-cart/mastering-audio-by-bob-katz/flypage.tpl.html" target="_blank">Mastering Audio by Bob Katz</a> (Big thanks to <a href="http://www.tom-maclean.com" target="_blank">Tom MacLean</a> for providing me with a copy of this book). RealTraps came to my attention again several weeks ago as I began a more in depth look at the art of treating rooms for better acoustic accuracy. The owner of RealTraps, <a href="http://www.ethanwiner.com/" target="_blank">Ethan Winer</a>, has proved himself to be a seemingly endless amount of knowledge to any level of recording engineer or audiophile. Ethan Winer tops my list of the &#8216;most helpful&#8217; and I look forward to meeting him one day (fingers crossed).</p>
<p>Onto the connection: As I stated, I was stumbling through Twitter posts and came across Dave Rat&#8217;s latest. It was a YouTube link to a &#8216;must watch&#8217; video for anyone in the industry. I fixed myself a delicious bowl of mac n cheese and prepared myself for what would most likely be some great new insight. To my surprise, the owner of the video was none other than Ethan Winer. I gave myself a pat on the back for looking up to both of these greats and dove right into the video.</p>
<p>To get to the point: Ethan&#8217;s video is from an Audio Myths workshop lead by himself, James Johnston and Poppy Crum that took place at AES 2009. Like many before me said, this video is a &#8216;must watch&#8217; and I couldn&#8217;t agree more. Here it is:<br />
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		<title>Gear List</title>
		<link>http://blog.wellsoami.com/2010/02/gear-list/</link>
		<comments>http://blog.wellsoami.com/2010/02/gear-list/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 01:51:13 +0000</pubDate>
		<dc:creator>Nate</dc:creator>
				<category><![CDATA[Audio Engineering]]></category>
		<category><![CDATA[Gear]]></category>

		<guid isPermaLink="false">http://blog.wellsoami.com/?p=17</guid>
		<description><![CDATA[Although I love browsing over gear that professionals use, I&#8217;m still a firm believer of &#8220;it&#8217;s how you use it.&#8221; None the less, here&#8217;s my current list.
Drums:
SJC Custom Drums &#8211; flat white
Zildjian A Custom Medium crash cymbals
Zildjian Mastersound hi-hats, Zil Bel
DW Hardware
Studio:
Digital Interface
iMac OS X Snow Leopard
Logic Studio 9
Reason 4
Apogee Ensemble 24bit/192kHz
Monitoring
KRK RP 8 Active [...]]]></description>
			<content:encoded><![CDATA[<p>Although I love browsing over gear that professionals use, I&#8217;m still a firm believer of &#8220;it&#8217;s how you use it.&#8221; None the less, here&#8217;s my current list.</p>
<p><strong>Drums:</strong><br />
SJC Custom Drums &#8211; flat white<br />
Zildjian A Custom Medium crash cymbals<br />
Zildjian Mastersound hi-hats, Zil Bel<br />
DW Hardware</p>
<p><strong>Studio:</strong><br />
<em>Digital Interface</em><br />
iMac OS X Snow Leopard<br />
Logic Studio 9<br />
Reason 4<br />
Apogee Ensemble 24bit/192kHz</p>
<p><em>Monitoring</em><br />
KRK RP 8 Active Monitors<br />
KRK RP 10s Subwoofer<br />
Beyerdynamic DT 770 Pro-80 Headphones</p>
<p><em>Outboard</em><br />
JLM Audio TMP-8 Mic pre<br />
SPL Transient Designer<br />
Aphex 204 Aural Exciter<br />
POD XT Bass Pro<br />
Palmer PDI-03 DI<br />
Rocktron Guitar Silencer</p>
<p><em>Microphones</em><br />
Audio-Technica AT2020<br />
Shure SM58<br />
Shure SM57<br />
Shure Beta 52a<br />
Shure SM81 (2)<br />
Sennheiser MD421 (2)<br />
BLUE Baby Bottle<br />
Neumann KM184 (2)</p>
<p><em>Other</em><br />
sE Reflexion Filter<br />
<a href="http://www.pacscables.com">PACS Audio Cables</a><br />
Monster Pro Power Conditioners</p>
<p><em>Amps &amp; Instruments</em><br />
Yamaha Arius Digital Piano<br />
M-Audio Oxygen 49 USB MIDI Controller<br />
Fender Telecaster<br />
Mark Hoppus Signature Fender Jazz Bass<br />
Ampeg SVT-3 Pro Bass Head<br />
SJC Custom flat white drumset<br />
LP Shaker<br />
Cabasa</p>
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